Sunday, 4 February 2018

UNDER THE SURFACE OF ST IVES IN CORNWALL - PART TWO

Here is Part Two of my piece that stands as a tribute to the late Jim Hodge who passed away on November 23, 2016 and has recently been published in a slightly adapted form in The St Ives Times and Echo.

A word first about the images that accompany the text. In 1893, the photographer, J.C. Burrow, was commissioned by local mine owners to bring the underground world of tin mining to life. He used very early flash photography techniques in these images from four tin mines at Camborne, Dolcoath, St Agnes and Pool. And now, to continue:


'One all-important dimension in this Cornish industrial landscape is, nevertheless, missing. Where in the description are the women and children working above ground, where are the men working below ground? It is as if they have been airbrushed out of the picture. The wealthy and powerful had reasons to fear the masses and distance themselves from that world; the shadow of the guillotine and the events of the French revolution at the end of the eighteenth century cast a long shadow over Europe in the first half of the nineteenth century as industrialisation and the exponential increase in population reshaped the world. It was not until the mid-nineteenth century that the social conscience of a few enlightened reformers within the Westminster elite led to such eye-opening documents as Edwin Chadwick’s Report on the Sanitary Conditions of the Labouring Population (1842) and the slow acceptance of the need for reform.




But only with the advent of the Edwardian age at the beginning of the twentieth century did a new kind of sensitivity develop within the ranks of the Westminster elite and the urban and rural elites from which it was drawn. For the first time, those with wealth and power began to vote through legislation that raised taxation centrally from their own pockets to pay for the amelioration of the social hardships that unregulated market forces inflicted upon three-quarters of the nation:  the labouring poor. In 1910, in Norwich on the other side of the country, Sir Peter Eade, a physician, and still, in his eighties, one of the leading members of the urban elite having served as councillor, sheriff and mayor, captured this change in outlook: ‘“Socialism” as it is called, undoubtedly demands better conditions for the poorer classes of all classes and the result of investigation into the present condition of any of these fully justifies many of the ends for which socialism is aiming and agitating … The rapid increase of population (and) the growing scarcity of  work and employment, are intending the poverty of large numbers of the working classes with the necessary consequences of home privation and enfeebled health to all, but especially to the young'.



The fabulous wealth of men such as Taylor (who came to Cornwall from Norwich to make his fortune) and Halse was made through the sweat and labour of fellow human beings, labouring under the ground in appalling conditions with their heads filled with the constant fear of death or injury. A.K. Hamilton-Jenkin, in his seminal work on the Cornish Miner (1927), noted that one writer in 1847 calculated that nearly one out of every five Gwennap miners incurred a violent death to produce the copper that made such a contribution to the wealth of the country. Descending and ascending the mine shafts for hundreds of feet by rope ladders was fraught with peril, to name one particular hazard. Medical authorities calculated that in the 1850s, in and around the St Just mining area, the average age of a miner was in the late twenties; the average death age was around the late forties. A miner who escaped the perils of a premature death faced a future of light surface work or at worst
nearly twenty years of unproductive life as a result of accident or disease.



The installation of steam-powered man-engines, the first in the 1840s, to drive a series of interconnected small platforms that were raised or lowered twelve feet in the shaft at every stroke of the engine, saved many lives.  However, the development later in the century of the machine drill turned out to be deadly for the miner underground. In 1904, a Government inquiry into The Health of Cornish Miners established that there had recently been “an enormous increase in the death-rate from lung diseases, in miners particularly between the ages of twenty-five and forty-five”.  The death-rate among Cornish miners was eight to ten times higher than that for coalminers. The explanation lay in the machine-drilling of granite that produced clouds of dust containing fragments such as quartz that were inhaled and over time effectively punctured the lungs – the medical condition known as phthisis was the new killer. Ameliorating the effects of dust inhalation, particularly through water spray, became a twentieth-century priority.



The labouring mass of humanity that worked the Cornish mines over the last three centuries were sustained not through the benevolence of the mine owner; the money the miners earned when the markets were paying good prices was more than they could have made from farming or fishing but amounted to a risible fraction of the profits made by the owners.  They were sustained by other means, perhaps above all by their own camaraderie in the face of accident and death. Drink provided an acceptable social release of working pressures. Many embraced the salvation offered in this life and the next by the good Lord as revealed through the Methodist evangelism that the Wesleys brought to Cornwall in the second half of the eighteenth century. John Wesley preached 18 times between 1762 and 1789 at Gwennap Pit, a hollow formed by the subsidence of old copper mine workings on the edge of what was described as the richest square mile in the world. Christianity and Mammon have always had an uneasy relationship.  



As Jim and John told their stories of life under the ground, Jim with his focus on water drainage and supply, John from his mining perspective, an undercurrent of danger, fear and death was never far from the surface of the tale. Sometimes, it burst through to harrowing effect. They shared an account of a young miner they knew who on the spur of the moment decided he would get his tea break early and attempted to hitch a lift on a kibble – a large bucket – that was being raised up through the vertical shaft to the surface. He misjudged the move and was left hanging on by his fingertips. The men at the top of the shaft saw him come into view as he and the kibble neared the surface. His last words were: ‘I can’t hang on anymore. Goodbye.’ It took the other half of the day to get his body back to the surface.



Fear and the closeness of death; the sheer peril of going underground surfaced in Jim’s account of an adit inspection that very nearly cost him and his miner companion their lives. Adits are drainage channels, generally at a relatively shallow depth, inclined gently towards the outside to allow passive drainage. The survey map on our table showed clearly the course of the adit for the Stennack lode, intersected at intervals by the vertical shafts excavated through the rock to reach the lode. Jim had determined that this adit needed a clearance and maintenance inspection.

Ankle deep in water, Jim and a local labourer entered the adit through a shaft in the town itself. Jim had his measuring instruments, the labourer his tools; a telephone system had been set connecting Jim with a water board architect at the top of the shaft ready to plot the information, the measurements and bearings, passed on by Jim through the telephone. Jim and the labourer began to thread their way through the tunnel that measured around five feet by three feet for most of its length, around two hundred feet beneath the surface.  After an hour or so when they were more than half way up the Stennack Jim noticed that the water level had reached his calves. The phone line connection had begun to crackle and was then lost. ‘I think it’s time to turn back’, he said to the labourer who had scarcely noticed the rising water. Their return journey in that dark, low narrow tunnel became a race for survival as the waters rose steadily around them towards the top of the five feet high ceiling in the tunnel. They just made it to their entry shaft before the waters covered them completely. A white-faced architect met them with the news that there had been a cloud burst over St Ives and the Stennack was awash. 



Jim spoke with pride of the engineering achievements of H.E. Phillips, the man in charge of the mains water supply for St Ives from the 1930s. In 1935, Phillips oversaw the construction of a project to use the waters gathered in the now disused Trenwith mine area to supplement the town’s water supply, specifically to supply the Downalong area of central St Ives. Effectively, 200 million gallons of water were contained by an underground dam, controlled by a penstock, a valve or sluice gate, which in the course of time Jim through his rising seniority was able to operate. He quickly learnt to fasten himself to a nearby structure to stop himself from being washed away in the surge of thunderous water released as the valve opened. 

The Trenwith mine had yielded both copper and tin in the first half of the nineteenth century but falling international prices forced its closure in 1856 as a copper producer. However, in 1908 Trenwith reopened as a radium mine under the control of the Germanowned British Radium company, with some of its output being used by Madame Curie in her experiments. It had been in the 1840s that some of the Trenwith copper ores had been found to be mixed with pitchblende, a mineral then of little perceived value, but later to be worked as the source of radium. The Company had plans to turn the Great Western Railway Tregenna Castle Hotel in St Ives into a health resort – a Cornish spa - utilising the supposed curative properties of the water but these ideas came to nothing and the mine itself was forced to shut down with the outbreak of war with Germany in 1914. 6 Jim told the tale passed down to him of a rich German who bought at some expense measures of radium to cure his illness and died of a radiation overdose soon after – but  evidently the radium content of the water supplied to Downalong residents from 1935 was safe enough. Both John and Jim drank it as children in Downalong as did tens of thousands of others. Those who implemented European health and safety legislation in the 1970s perhaps erred on the side of caution when it was decided that Trenwith water was no longer suitable as a source.



One last story remains, a warning perhaps for the future since so many in St Ives live above the industrial mining landscape buried beneath the surface. Jim told the tale of the lady in one house in Trenwith Place towards the bottom of the Stennack who was awakened one night over fifty years ago by an alarming sound from downstairs. Fearful, she descended the stairs and looked round the living room. Nothing out of place. She opened the kitchen door, hesitated before entering the room, reached for the light and lo! Before her stretched a gaping hole, a sixty foot drop into the world beneath her feet. The kitchen floor had disappeared into an old, unmapped mine shaft. The shaft infill had collapsed. 

To have had the opportunity to listen to the stories of Jim and John and see the survey plans, to have seen the jar containing almost pure tin extracted from the ore, is to have experienced  the wonder of recapturing the past. All who value the understanding of those things that have shaped us will appreciate what we were gifted. A Cornishman, Nicholas Johnson, who played an instrumental part in the inscription of the Cornwall and West Devon mining landscape in the UNESCO list as a World Heritage Site (WHS) in 2006, has stated that overall there was little recollection of mining’s eighteenth- and nineteenth-century heyday among the Cornish:  ‘… once [the memory of mining] passes beyond your grandfather, it almost passes out of mind.’ I hope this essay can play some small part in keeping the past alive.    

Saturday, 3 February 2018

UNDER THE SURFACE OF ST IVES IN CORNWALL - PART ONE

The editor of the St Ives Times and Echo, Toni Carver, has been looking for an opportunity to publish a piece I wrote called 'Under the Surface of St Ives'. This he was able to do, in two parts, in the editions for Friday, January 19th, 2018 and Friday, January 26th, 1918. These articles stand as a tribute to the late Jim Hodge who passed away on 23 November 2016.  

Here is the first part of my original text:

We moved to our terraced house, situated off the Stennack, coming out of St Ives, uphill, heading S.W., in January 2013. By the summer of that year, I had written the piece that appears this week for the first time on my website - press here. It is called 'Under the Surface of St Ives.' Do read it in its entirety if you can - it provides a remarkable insight into St Ives in the past thanks to the stories of my two sources, John Toman and Jim Hodge. The picture below shows the old Stennack school, the Board School, built in 1880 on the outer margin of St Ives. The river and road are on the other side of the school, unseen in the photograph. The houses you see now do not exist. Instead the landscape is dominated by the spoil heaps of the Trenwith mine. This is an industrial landscape. Men were mining under the surface as the shutter opened on the camera to take this shot. Men were making their living. Men who were to die before their time, some in accidents, some through the substances they inhaled.  



 Jim Hodge is 79, still a man broad of shoulder. It comes as no surprise when he talks of playing rugby with the men, the miners and other underground workers, who feature in his remarkable story. John Toman is in his mid-seventies. Jim and John share a mutual respect. John, after all, served for a time as a stand-in mine captain during his life in mining as a surveyor. Both are men who have achieved success in their professions. Jim grew up with the pull of the sea; fishing would have been his first choice but his father wanted him to learn a trade and plumbing won the day. Fish might have

Thursday, 25 January 2018

GEOFF HICHENS SHOOTS THE PHOTOS IN ST IVES WITH ROB DONOVAN FOR TRIODOS BANK

A week ago today - on Wednesday 18 January - between 8.30 am and 11 am, I was graced with my 'fifteen minutes of fame', Andy Warhol-style. Admittedly, it was not national celebrity. At least not yet - that twist of fate lies in the hands of the Gods in the marketing world of Triodos Bank. But it was high exposure on the waterfront of our photogenic town of St Ives. And I did have the man that Triodos chose to take the pictures - Geoff Hichens - on hand to record these 150 minutes of local celebrity.



First an explanation for the Triodos connection. Triodos is an online ethical bank that believes in using money to ensure a sustainable future. It has offered savings accounts in the past and then in 2017 Triodos launched a current account. Louise and I had been waiting for this event for a couple of years and we were among the first to switch our banking accounts to Triodos.



We live in a time of surveys and I generally steer clear of such encroachments on my time. But Triodos was different - I agreed to become a customer case study and completed a questionnaire in

Sunday, 21 January 2018

JAGO STONE - THE AMERICAN CONNECTION - PART FIVE

As some of you will know, I send out a Mailchimp newsletter about the book I am writing - the biography of Jago Stone - at the beginning of the month. There are fifty or so subscribers to this Newsletter and the idea is that they get to read my up-dates first - and then I can repeat some of the Newsletter content in a blog later. What follows in this blog is taken from the January Mailchimp newsletter - but also has some additional material. If you would like to join the list of subscribers - it's free - all you have to do is complete a short form on the 'Jago' page of my website. Press the link here. 

'I love the connections between America and England that feature Jago - and  I'm sure he would too. He wrote in 'The Burglar's Bedside Companion': "A large number of the personnel (at USAF Upper Heyford) take home my paintings of the Cotswolds when their tour of duty ends. There are innumerable Jago Stone works of art in Texas, Alabama, California, New Mexico, Washington - and there are even a couple of pictures of Banbury Cross on Sunset Boulevard. It seems like a joke, but I can lay claim to being an international artist." (P.118)



This water-colour of Trinity Church, Stratford-upon-Avon, was painted in 1976 for Marie-Elena (Laina) and Rick Baker when they were stationed at RAF Croughton. Laina made Facebook contact with me in February 2017 and sent this image across the Pond.
 
Now in January 2018, thanks to Facebook once more, I can regale you with further tales and images from an amazing period between mid-November and mid-December 2017 in the cyberspace story of Jago's American Connections. 

Three Facebook groups - for USAF Upper Heyford veterans and friends - accepted my membership and posts. On one day alone, American Connection 1 - the blog that I first posted in early December 2016 - had 511 viewings, most of them from across the Pond. Over the next four weeks, I received Facebook messages from the United States gifting me more stories and images of yet more paintings that hang on walls in homes in American states. Special thanks, then, to the 'RAF Upper Heyford' and 'RAF Upper Heyford Brats and Friends' and 'Remembering RAF Upper Heyford 1950/1994' websites for letting me join and re-post my American Connection blogs.

Below is an image of a Jago Stone poster that he produced and published in 1976. Duane Park - 20th SPS, Nov.1976-Nov.1978 - used his own photo of this poster as an illustration on the Upper Heyford Memorial Web Site "Gone but Not Forgotten". He wrote: 'I wasn't able to buy one of these at the time as they were always sold out, but before I left I took this picture of it.' My thanks to Marie Mazy Cooper in Florida for sending me this image of the original poster that she did buy and take back to the United States. .




Here is some text from the first draft of Chapter 7 The American Connection in 'Jago' that tells the story of these four weeks of contacts: 
 
In mid-November 2017, one Saturday tea-time, I contacted on Facebook the three websites created and used by those – mostly American veterans - who had served on or had some contact with the Upper Heyford air base. I explained that I was writing the biography of Jago Stone and re-posted my first American Connection blog with its picture of Becky Bender’s English home, painted by Jago in 1983.  By midnight, that re-posted blog had had 168 views. The views for Sunday, the next day, were 511. Truly a gold-rush in cyber-space!

 I had asked for memories of Jago - stories - and images of paintings. They came in abundance.

From C L Kolodny, now living in Premont, Texas, there was this story:

“Lived in Merton, near Bicester in an old stone cottage near to the Plough, a free house owned and operated by Lou Bevan. One day I was there drinking pints of Hooky when a phantom with a small entourage flew in. I thought I had gone back in time and encountered Oscar Wilde. This guy was a real character. We drank and talked for a couple of hours and he departed never to be seen again. This chance encounter was so electric and mystical that I have thought about it many times over the years. It was a Sunday afternoon in 1980 or 1981.”



I asked if there were any other specifics that he remembered.



“(Just) the flamboyant dress, intense facial expressions, rapid intellectual mainly one-way conversation.”



All this, from “a brief encounter leaving a real memory”.



 
This image came from Marie Mazy Cooper - a Jago water-colour of the village of Wardington and its vicarage where she and her husband resided during their UK tour at Upper Heyford.

 

Marie Mazy Cooper, now resident in Sarasota in Florida, also left this comment:

“My husband and I were stationed at our RAF Heyford and lived in Wardington. Jago knocked on our door one night in 1975 to ask to paint the Vicarage we lived in. We were told he was a thief and not to allow him in and that had stolen from churches and spent time in prison …  But we did and became friends … he had such great stories and we have 2 beautiful paintings of our beautiful Vicarage. Afterwards, we introduced him to a number of friends stationed with us to have their homes painted … he was a character you could never forget.”



A few days later, in response to my question: “What stories did he tell?”, Marie added:

“Jago had so many wonderful stories about his life as a thief stealing from the churches … he met many Air Force members and painted all their homes.”

Andrea Pyne sent me this surprise - a Jago snowscape.   




Andrea, from Luray in Virginia, in fact sent me two pictures, explaining that “These are the ones I have from my parents. We were there from ‘77 to ’81“. One is the only winter snow scene I have seen of Jago’s – ‘First Snow – The Cotswolds’; and the other the only Yorkshire landscape of Jago’s I have encountered – ‘High Withens – Haworth Moor – The original of Emily Bronte’s “Wuthering Heights” -  Yorkshire: West Riding – Inspired by the Artist’s dedication to the Life of Emily Bronte’.  

 

 Robin Kroyer-Kubicek, now living in Oregon, Wisconsin, gifted me two paintings his mum had contracted Jago to paint: ‘Rose Cottage’ in the village of Turweston, Oxfordshire, dated 1979, and its parish church, dated 1980.  
 

 



The number of fruitful contacts made through the Upper Heyford websites has been extraordinary. Jago had in his lifetime recorded his pleasure at being an international artist thanks to the USAF American connection. I imagine him being delighted at the thought of his posthumous name resounding across the American states at the click of Internet buttons.'   

I promised readers of this blog some additional material. To start with, here's an update  on where i am in relation to the search for an agent/publisher. I acquired the indispensable volume - 'Writers' & Artists' Yearbook - 2018' - early in January, and then recycled my copy for 2014 which I used when i was at a similar stage with 'The Road to Corbyn', aka TRC. Copies of TRC, my first published work, are available by ordering from any bookseller - and also from this website by pressing here.   
So much for the plug. I do hope some of you will buy TRC - it's a good read and full of hope and helps make politics easy to understand. When I read the relevant sections of the Yearbook, I realised that my plan to seek an agent this month was premature. I had to complete all the book first - and I still have two chapters to write.
The Prologue and Chapters One to Eight are all finished in first draft form and some of these have been worked on again in the light of comments from my circle of readers, here and in the United States.  Chapters Nine and Ten should be put to bed by the end of February. So, March and the advent of Spring should see the search for a wider audience begin in earnest. And if I haven't said this before, now's a good time: one of the judges for a national biography prize wrote an email to me in September 2017 to say that she was sorry my proposal had not made the shortlist but:
"You have a fantastic story to tell, so I do wish you luck in finding a publisher and reaching the audience it deserves ... the story of 'Jago' needs to be more widely known." 
The omens for 'Jago' are looking good.
  

Wednesday, 3 January 2018

MIND MATTERS IN OUR CAPITALIST WORLD - PART TWO

Last week, in Part One of this post, I focused on the ideas of Professor Richard Bentall - for more press this link here. This week, in Part Two, I begin with the thoughts of his colleague, Peter Kinderman.

In February 2016, following Bentall's Open Letter to Stephen Fry with its telling presentation of the critical importance of social determinants in our psychological wellbeing, Kindermann and a group of colleagues, including Bentall, wrote a parallel Open Letter to the BBC and other media organisations about their inadequate coverage of mental health issues. Over a thousand mental health professionals and people who had experienced mental health problems soon signed their letter in which a critique was set out concerning the coverage of mental health in the recent BBC 'In the Mind' series.



Their primary complaint was that the BBC programmes seemed to suggest that psychiatric medication - drug treatment - should be the main, if not the only, treatment for mental health problems. They pointed out that such a message is harmful because it potentially leads to hopelessness, despair and prejudice and discrimination. And they also expressed concern about the long-term efficacy and safety of those drugs. To simply promote medication without also presenting other approaches such as psychological therapy is biased and irresponsible.

The letter concluded with the plea that as a matter of urgency the BBC commission a similarly high-profile programme featuring professionals and service users who adopt the alternative approach that the letter has outlined. The Director of the BBC, Tony Hall, responded with a brief note signifying little or nothing in March 2016; my Google searches have shown no further action by the BBC. What

Sunday, 31 December 2017

MIND MATTERS IN OUR CAPITALIST WORLD - PART ONE

There is nothing controversial in stating we live in a global world shaped by capitalism. So what is this capitalism, this capitalist economy? Let me borrow from the explanation of Ha-Joon Chang, a Cambridge economist of remarkable sanity and sense, in his Pelican 'User's Guide to Economics' (2014): 'Capitalism ... is an economy in which production is organised in pursuit of profit ...'. Of course, beyond this truism matters become more problematic.

Capitalism is a slippery-eel kind of word. It has different meanings to different people - and there has been change over time. I don't hear Jeremy Corbyn as the leader of a Labour Party pledged to reverse the dire consequences of neoliberal Tory-inspired misgovernment since 2010 calling for the overthrow of Capitalism in the name of Socialism. What I heard at Heartlands in Cornwall, listening to him speak, was a call for a socialism fit for the 21st century. JC's socialism is a radical but pragmatic bid to ensure that the capitalist market is regulated to serve the best interests of the many and not the few. Profit alone should never be taken as the justification for financial or political action. People matter and must be a primary concern.

Unfortunately, things happen that are prejudicial to our good health when those who are driven by a singular pursuit of profit at any cost hold the strings of power. More and more people in the U.K are getting this truth - which is why the neoliberal Tory government are doing their level best to avoid another General Election. Universal suffrage is the hard-won achievement that remains the people's defence against those with the wealth and power to control and manipulate.



I have become more deeply conscious over this Christmas break of a rather dreadful way in which those who have wealth and power - consciously or unconsciously, or any combination of those extremes in the spectrum of human thought - are actually making our mental landscapes more disturbed. An article in a left-wing magazine of repute caught my attention. The magazine was the

Friday, 15 December 2017

ROBERT PIRSIG'S 'ZEN AND THE ART OF MOTORCYCLE MAINTENANCE' - CELEBRATING A MAVERICK PHILOSOPHER

'Zen & the Art of Motorcycle Maintenance' by Robert Pirsig was first published in 1974 and caused a literary sensation. It became a million-selling classic - one of the must-read books of the decade. I gave it my best shot but got no further than the first few pages. The narrative seemed tedious and the philosophy that was interwoven within the story too difficult for me to get my head round. I remember thinking that I needed to teach myself some philosophy before picking up Robert Pirsig again.



Decades rolled by and I did get an education in philosophy - part-time study at the University of East Anglia, one evening a week between 2003 and 2005, led to a Certificate in Philosophy. And that was followed by three years part-time study between 2006 and 2009 with the Open University which led to a M.A. in Philosophy. So the ground had been prepared when this year, in late April, I read an obituary for Robert Pirsig. He had died aged 88 at his home in Maine in the USA on Monday 24 April.

The Guardian had interviewed him in 2006 and Pirsig had said:
'It is not good to talk about Zen because Zen is nothingness. If you talk about it you are always lying,