Before I turn to these pages, I should explain that there has been a fresh discovery in my online detective story - the search for information about the artist. The new find has prompted this particular focus on 1983. Readers familiar with these blogs will recall my post telling the story of the visit to Aberystwyth at the end of June this year and the wonder of viewing and transcribing 23 minutes of Jago being interviewed in 1969. Here's the link if you missed it first time or would like to revisit. A week or so ago, I received an email from Owain Meredith, archivist at ITV Wales. Owain had already been very helpful and now he was telling me that he had discovered another piece of film that featured Jago - only three minutes or so but an interview nevertheless and this time from 1983. That was the same year as the Bar Stool interview with the Sunday Express journalist - have I been blessed!
'Untitled' - Jago Stone - Bardon, 1968 |
More on that 1983 film interview another time. Here for your interest is the beginning of my second chapter from the biography. The paintings that accompany the text are a selection from Jago Stone's extraordinarily large 'catalogue'.
Chapter 2
THE BAR STOOL FANTASIES OF A CAD
There is no doubt that Denis Pitts’
take on Jago in 1983 and Jago’s own testimony from the bar in the ‘Up the
Garden Path Inn’ in Manton, near Marlborough in Wiltshire shape any reader’s
initial sense of the character of Mr Stone. Effortlessly, it seems, Jago holds
court from his bar stool throne and unfolds the stories of his misdeeds. The
Sunday Express writer records the flow of
autobiography and passes a measure of
moral judgement sufficient to satisfy the scruples of his Sabbath-day
readership. The man is a cad, a bit of a rogue but affable enough –an English
eccentric in this village pub setting. Try this headline for size:
YOU MEET THE ODDEST
PEOPLE IN THE LOCAL BUT IT’S NOT EVERY DAY A BLACK SHEEP ENTERTAINS YOU WITH
TALES OF HIS MISDEEDS – AND HAS THE EVIDENCE TO PROVE THEM. By Denis Pitts
However, Denis Pitts was no ordinary, run-of-the-mill hack.
Jago deserved the best. Fourteen years earlier, in 1969, Harlech TV had brought
Kenneth Griffith from London to interview the gaol-bird-turned-artist (see
Chapter 6). Now Denis Pitts was summoned. The seasoned writer had already made
his journalistic mark at the time of the Suez Crisis in 1956 at the age of 26.
In 1970, he had been making a film for the BBC on the anti-war movement and was
there in Ohio to record the events at Kent State University in 1970 when the
National Guard shot dead four students. During his career, he had interviewed
both Clement Attlee and Gracie Fields to such effect they authorised only
posthumous publication. The best interviewers have a way of bringing out
confidences. With Jago, Denis was gifted a subject who specialised in
revelation. There was no need to wait until Jago had died before the Sunday
morning nation got their fill of the life of Mr Stone. But Denis – who died in
1994, aged 64 – was never to know the other matters, the confidences Jago chose
not to tell in his orchestrated monologues.
'The Fancy Dress Party' - Jago Stone (1969) |
Nevertheless, sit back and enjoy as fine a piece of middle-England
journalism as you are likely to find from that decade. The media-man has been inspired
by the artist.
‘There was a stranger in the local.
He was perched on a barstool, a broody goshawk in gold-rimmed glasses, intense
brown eyes fixed angrily on the optics. A bit of a card, a character in a
floppy straw hat and scarlet cravat who drew attention in a country pub just by
sitting still.
His reputation had preceded him. He
was the chap who did water-colours of your own home, stately, detached,
semi-detached, country cottage or council house for a fixed fee of £15 and he
had just finished the old post office.
The landlord introduced him. There
was a sudden flutter of head and eyes, an extended hand.
“Jago Stone,” he said. He said it
“Jageoh Steohne.” The voice was sub-Wodehouse, minor-public-school (expelled);
a 30s voice.
Thinking about it later, it was a
voice from one of the early Evelyn Waugh novels: Philbrick the butler, perhaps:
or Captain Grimes. And when he started talking in earnest, which was almost
immediately on receipt of a fresh bottle of barley wine, there was little for
the listener to do except allow himself to be transfixed by those powerful eyes
and let the story unfold.
“Painted three houses today, a bit
tired, knackered you might say. I did the local MP’s house, a nice little
cottage in the next village and the old post office down there. At £15 a shot,
not bad eh … that’s 93 barley wines in real
currency.
The Old Rectory, Edgcot House, Northamptonshire - Jago Stone (1974) - (with thanks to Nick Michas for whom this was painted as a birthday gift and who has sent me this image) |
“I wasn’t always an artist you know
… oh no no. I was a thief. I did 14 years and eight months inside for nicking
silver. Why are you smiling? It’s true. I dressed up as a Franciscan monk and
nicked the Archbishop of York’s silver. Wrote a book about it called The Burglar’s Bedside Companion”. Sold
30,000 copies.
“I’ve had three wives, love the
ladies, painted 40,000 houses and I’m putting up my prices next week to 25 quid
a time in line with the brewers. Working on a new book at the moment. Don’t
know whether to call it ‘Painter on the Green’ or ‘Painter with his Pants
Down’. There’s a lot more to the story, you know.
There was, indeed. And it was all
there in the newspaper cuttings to prove it.
Jago Stone was born illegitimate in
1928 and brought up by a wealthy, left-wing family of Quakers in the North of
England. He was backward at most things, dabbled a little in poetry and
painting and was content to live in the belief that he was a genius until he
stole £2,000 worth of his grand-mother’s silver at the age of 18. “I was the
last person they suspected,” he said. “It seemed jolly easy to nick it and flog
it.”
He was obviously a golden-tongued
youngster. “I found that I could con people – I still do, I suppose, in a
different kind of way – by using charm and sweet talk. It was my great gift.”
He was conscripted and escaped after six months of national service by feigning
insanity. He was attracted by the Church and confirmed. It was the real
beginning of a short, but immensely profitable, truly criminal career.
“I thought what a jolly good scheme
it would be to dress up as a monk and nick silver. I did some study on the
Franciscans. I really liked St Francis of Asissi, all the vows of poverty,
chastity and the talking to the birds and bees and things and getting other
people to support me.
“I got hold of the habit, a girdle,
sandals, tonsure and whatever and started nicking. By chance – and this happens
in life – I met this chap who had a market for the stuff in America.
“It had to be virtually pure silver
– pre-16th-century – and the only place you could get this kind of
stuff was in churches. I went about systematically committing sacrilege dressed
as a monk. I was at it for about three years before I was caught. What happened
was the man who was involved in the selling was caught in America. It came back
to this country and I was nicked.
“I think there were 48 warrants out
for my arrest. And I think there were 96, I think it was, counts of sacrilege.
Yes, 96 – for stealing from churches and other religious institutions dressed
as Father Andrew of the Senality of St Pauls.”
Detail from 'The English Village' - Jago Stone (1986) - (my thanks to Jessica Raber and her parents for sending me this image from Missouri in the U.S.A.) |
The briefest of pauses for a gulp
of barley wine. The normally loquacious farmworkers in the pub look around at
each other in disbelief and gaze in wonderment at the odd man on the bar stool.
There has been no-one quite like this in Up the Garden Path (the name of the
pub) for many a long year.
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At this point, I will end the extract - that's enough for one post in the blog-sphere. However, if you would like to read to the end of Denis Pitts' article and get a taste for how my Chapter 2 develops, then simply open this link here and sign up - it's free - to my Jago Stone Newsletter. The September edition will bring you more of Chapter 2 and a fuller Jago story!
----------------------------
At this point, I will end the extract - that's enough for one post in the blog-sphere. However, if you would like to read to the end of Denis Pitts' article and get a taste for how my Chapter 2 develops, then simply open this link here and sign up - it's free - to my Jago Stone Newsletter. The September edition will bring you more of Chapter 2 and a fuller Jago story!
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